Category Archives: Comic Books

Black Lightning Costume Revealed!

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Take a look at the Black Lightning costume. What do you think of the Black Lightning costume?

Take a first look at the Black Lightning costume as production begins on the DC Comics pilot

The latest DC Comics small screen hero has today made a colorful debut. Black Lightning, starring Cress Williams (Hart of Dixie) in the title role, has officially started production in Atlanta. In the gallery viewer below, you can take a first look at the Black Lightning costume in a piece of art from the upcoming The CW pilot. Greg Berlanti, Salim Akil, Mara Brock and Sarah Schechter are executive producers on Black Lightning, from Berlanti Productions and Akil Productions in association with Warner Bros. Television. Salim Akil is directing the pilot from a script he wrote.

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I Am Groot: Going Solo

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Christopher Hastings guides the tiny tree on an interstellar adventure!

Groot has gotten himself lost. Lost and stuck in his baby-sized form. With the other Guardians of the Galaxy nowhere to be found, the tiny Groot must fend for himself in a strange world.

Thankfully, he does not have to do it all on this own. He has writer Christopher Hastings and artist Flaviano in his corner for I AM GROOT, a new series coming this May.

Hastings took a break from his bonsai garden to discuss the series with us.

Marvel.com: As a writer, what is the creative draw of Groot? What challenges does he present?

Christopher Hastings: Well the initial draw is that he is hilarious and adorable. That “Marvel’s Guardians of the Galaxy Vol. 2” trailer is filled with amazing stuff I can’t wait to see, but the best part is Rocket trying to get Groot not to blow them all up. I’m really excited to put that little guy in all kinds of bad situations and see how he makes them worse.

The main challenge is of course Groot’s limited language. I’m trying to approach the story in a very specific way to make sure it’s not a hindrance, but actually part of what makes it fun.

Marvel.com: In the book, circumstances conspire to separate Groot from his teammates and he is stuck at small size besides. What’s the character’s state of mind as he finds himself alone on the planet?

Christopher Hastings: He’s scared at first. He’s basically a toddler who’s been separated from his family, and is immediately introduced to the strange new terrors of this unknown part of the universe. But that very quickly changes to an impulsive curiosity, driving him deeper and deeper into this weird land.

Marvel.com: Overall, how would you describe the tone you are trying to achieve for this title?

Christopher Hastings: I’m a big fan of stories where little kids have to navigate a weird fantasy land as some sort of metaphor for what’s going on in their normal life. In this case, I’m specifically thinking of “Labyrinth,” “The Neverending Story,” and “Return to Oz.” I’m also pulling a lot from the dreamier Zelda games—“Link’s Awakening” and “Majora’s Mask.” There’s a lot of story in those games, despite the fact that Link can’t even say, “I am Link.” We’ve got a massive advantage there with [I AM GROOT].

Marvel.com: How does artist Flaviano’s work on the book help you to realize that tone? How does his style complement your scripting?

Christopher Hastings: I’m really asking for strange settings and characters that will all tie into a core mystery of this forgotten world Groot’s landed on. Flaviano’s got exactly the kind of thoughtful and specific design mentality that’ll flesh it out perfectly. The characters are so expressive. They can charm you or unsettle you just as easily.

Marvel.com: What kind of supporting cast might readers expect to encounter in this title? Any villains in the early going?

Christopher Hastings: Like I’ve said, there’s an old secret to this planet that’s been completely forgotten, but leaves little hints scattered about. Early characters that Groot [meets] are scavengers, just trying to survive with bits and pieces of abandoned technology and infrastructure. It’s not a great situation, but it’s one they’ve learned to be comfortable with. And Groot’s just going to mess all that up in his quest to return to the Guardians.

As for a villain, there are higher status forces who have a more active approach to keeping things as they are on this planet, which simply can’t be if Groot is to return home.

Marvel.com: Speaking directly to fans, why is I AM GROOT one that they’ll want to buy?

Christopher Hastings: This is a book for anyone who wants to see more of this new really funny, really cute Groot, but pushed to the edge, completely on his own. It’s also for anyone who wants to read the words “I am Groot” a lot.

I AM GROOT #1 by Christopher Hastings and Flaviano plants its roots on May 24!

Star Wars Spotlight: Vader Down

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Can the Rebellion take out a stranded Sith Lord?

Each week Star Wars Spotlight combs through the digital archives of Marvel Unlimited to showcase one classic story from that distant galaxy filled with Jedi, Sith, princesses, scoundrels and droids.

In previous installments of Star Wars Spotlight, we covered the second arcs of both STAR WARS and DARTH VADER. You’ll remember that, in the former book, Luke tracked down Obi-Wan Kenobi’s diary on Tatooine and used it to find out more about his father while in the latter, that same father discovered that Skywalker blew up the Death Star. Those two stories finally came to a head in the 2015 crossover Vader Down. The story starts with STAR WARS: VADER DOWN #1 before moving into DARTH VADER #13–15 and STAR WARS #13–14 by Jason Aaron, Kieron Gillen, Mike Deodato, and Salvador Larroca.

The festivities began as Vader traveled to the Jedi temple on Vrogas Vas where his secret associate Doctor Aphra told him that Skywalker would be. When the Sith Lord arrived in orbit, he found himself facing three squadrons of X-wings that just so happened to be out for maneuvers at the time. Of course, Vader thought Aphra double crossed him, but that didn’t stop him from taking care of most of the ships himself. Once Luke joined the fray and smashed his X-wing into Vader’s TIE, sending them tumbling towards the planet, the battle ended.

Trying to take advantage of Vader being apparently stranded on Vrogas Vas, the Rebellion not only rallied anyone stationed from their refueling station on-planet, but also an entire battalion to the scene, including Princess Leia who hitched a ride on the Millennium Falcon with the usual suspects: C-3PO, Chewbacca, and Han Solo. Vader proved that even all those reinforcements would not do the trick as he activated the grenades worn by the hundred or so soldiers surrounding him—and that’s before he took out a tank with his lightsaber.

Not long after, the Falcon landed on Vrogas Vas with Dr. Aphra and her murder droids not far behind. To get back on her boss’ good side, she paints her protocol droid gold and has him zap Luke into unconsciousness near an old Jedi temple. While Han, Chewie and R2-D2 jumped in to save Luke, Leia rode off with other soldiers to find Vader. She ran directly into him in an effort to get him to a nearby location where all available ships would blast, most likely killing her in the process. Han, back in the Falcon, didn’t like that last part, so he took off to save her only to have the bounty hunting Wookiee Black Krrsantan crash into his ship.

Just as the Rebellion’s plan looked like it had legs, the Empire’s own cyborg Mon Calimari Commander Karbin appeared with a Star Destroyer in tow to get Luke for himself and also confront Vader, who he planned on usurping.

After a series of battles and switching allegiances, Leia decided not to take a shot at Vader as he fought Karbin, but instead went to save Han and Luke who had each fallen in battle. Instead, Aphra helped crush Karbin to death, Vader crashed the ship that carried the captured Luke to the Star Destroyer, and everyone walked away relatively unscathed, except Threepio who had his arms torn off, his head twisted around, and a hole punched in his chest by an enraged Wookiee. Leia did arrive in time to knock Aphra out as she attempted to hold the Falcon and all its usual inhabitants hostage until Vader showed up. With that, they all flew off to their next adventure.

From the Jedi Temple Archives

In the wake of the Vader Down story and in an attempt to offer readers a look inside of Obi-Wan’s journals, STAR WARS #15 examined one of the Jedi Master’s many adventures. By Aaron and artist Mike Mayhew, this particular tale kicked off with Luke flying through Beggar’s Canyon and promptly crashing his ship while Ben Kenobi looked on. Uncle Owen yelled at his young charge and declared that he’d never fly again. Feeling that young Luke might need those skills in the future, Obi-Wan made a deal with the Jawas to help them with their Tusken Raider problem in exchange for handing over the tools that the boy would need to fix the downed ship. Owen figured out who did this and once again asked Kenobi to stay out of the boy’s life, asking, “Haven’t you murdered enough Skywalkers, Kenobi?” Surely that stung, but not as much as the upcoming confrontation with the Wookiee bounty hunter Black Krrsantan that we’ll see in the next flashback issue.

Next week we check back in on Jahan Cross as he returns to his home planet of Alderaan in STAR WARS: AGENT OF THE EMPIRE – HARD TARGETS by John Ostrander and Davide Fabbri.

Unworthy Thor: Revelations

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Finally find out what felled the Odinson with writer Jason Aaron!

WARNING: This article contained SPOILERS for UNWORTHY THOR #5, available now!

As Thor fans know, the Odinson has had a pretty difficult go of it lately. With the loss of his worthiness, he has found himself on a bit of a journey of self-discovery. As UNWORTHY THOR wraps up, we’ll see what this arc means both for his role in the larger Marvel Universe, and his place in the MIGHTY THOR series moving forward.

We chatted with writer Jason Aaron about what lies ahead for the Odinson.

Marvel.com: UNWORTHY THOR has forced the Odinson to figure out who he is without his worthiness. Can you give us your take on the journey he has gone through?

Jason Aaron: Everything I’ve done over the last few years with making Thor Odinson unworthy and bringing Jane Foster in was about telling a very specific story with her and with a different sort of Thor. But I also wanted to give Thor Odinson his own journey, so I wouldn’t just push him aside. I like the idea of watching him wrestle with his unworthiness and seeing how that changes him, how it makes him a very different sort of character. I think this [limited series] gave us the biggest version of that kind of story that we’ve done. We’ve seen a darker, angrier, very different kind of Thor Odinson.

Marvel.com: Can you tell us a little about your experience writing both UNWORTHY THOR and MIGHTY THOR simultaneously?

Jason Aaron: I love writing Thor. I’ve been doing it for several years now and I have a big pile of Thor stories I’ve wanted to get to. It felt great to have the chance to write two Thor books at once. And to get to work with artists Russell Dauterman and Olivier Coipel at the same time felt like an extravagance of riches. Olivier is already established as one of the best Thor artists ever, and I see Russell rising up the ranks, as well. His art just gets better and better with every arc. And I’ve enjoyed doing these two very different Thor stories at the same time; now we’ll see the two characters collide, and the Odinson’s story will get wrapped up again with Jane Foster’s.

Marvel.com: This is the last issue of the UNWORTHY THOR series; could you tell us a little about what’s next for the Odinson?

Jason Aaron: You can expect to see him pop up in the pages of MIGHTY THOR very soon. He has missed a lot in the time he has been away, so he’ll have a lot to catch up on. And as you can see from the tease at the end of the UNWORTHY THOR #5, we still have more story to tell with the hammer of the Ultimate Thor. After the current MIGHTY THOR arc wraps up, we’ll dive into the story of a brand new Ultimate Thor—yet another very different sort of Thor added to the mix.

Marvel.com: You mentioned the hammer of the Ultimate Thor, which the Odinson encounters in UNWORTHY THOR. What role will it play in his story moving forward?

Jason Aaron: It will have its own big arc, when someone else comes along and picks up the hammer, and gets transformed by it in a different way. This hammer is a little different in that it’s a relic from a dead universe, a holdover from the Ultimate Universe that somehow survived through the events of Secret Wars. The exact nature of that hammer, how it differs from the hammer of Thor in the mainstream Marvel Universe, how it affects someone who wields it, we’ll answer those questions in the pages of MIGHTY THOR.

Marvel.com: In this issue, we finally learn what Nick Fury whispered to the Odinson in Original Sin that made him unworthy. He said, “Gorr was right.” What kind of impact did you hope this reveal would have on the Odinson’s story?

Jason Aaron: The idea with this mystery stretches back to the beginning of my run on Thor. We still see the effects that Thor’s battle with Gorr the God Butcher had on him, and the overall meaning of what Gorr did and why. I think as long as I’m guiding Thor’s ship, that idea of worthiness and what it means to be a god in the Marvel Universe will remain prominent themes. And I think this reveal shows that these questions still plague Thor Odinson, and I don’t expect that to go away anytime soon.

Follow the fate of the Odinson yourself in UNWORTHY THOR #5, on sale now, and in future issues of MIGHTY THOR!

Women’s History Month: Writers Roundtable

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Kate Leth, Amy Reeder, and Kelly Thompson speak out on several subjects!

Marvel Comics celebrates Women’s History with a roundtable discussion consisting of some of their most talented creators: Kate Leth (PATSY WALKER, A.K.A. HELLCAT!), Amy Reeder (MOON GIRL AND DEVIL DINOSAUR), and Kelly Thompson (HAWKEYE). We wanted speak with these creators not only to know who influenced their work but also to get an idea as to how and where they see women affecting the industry as a whole.

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Daredevil: The Man Without Friends

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Charles Soule examines what has dissolved the bond between Matt Murdock and Foggy Nelson!

Super heroes need friends, it’s as simple as that. Fighting for ideals is nice, but fighting for those you care about is better. You can beat up as many villains as you like, expose their crimes and put them in jail, but you need someone there at the end of the day who will kick back with you at Josie’s for a couple of pints.

At the moment, the friendship of Matt Murdock and Foggy Nelson lies on the rocks in the current “Purple” story arc for DAREDEVIL written by Charles Soule with art from Ron Garney. Yes, Matt has his secret identity back, but how did he achieve such a feat and will it prove worth it if his once best friend Foggy doesn’t have his back? As the arbitrator between the two parties, Charles gave us his hot take on the frail friendship and the delicate secrets threatening to tear it apart forever.

Marvel.com: We’re currently in the middle of the four-part “Purple” arc where we’re dealing with the idea of Matt Murdock restoring his secret identity and the return of a classic Marvel villain in Zebediah Killgrave aka Purple Man. And that’s not even mentioning the bounty on Daredevil’s head in the “Seventh Day” arc. With all this going on, what are the ripple effects being felt on Matt and Foggy’s friendship?

Charles Soule: The “Purple” arc is designed to pull back the curtain on why Matt’s made a lot of his recent choices; not only does it explain how he got his secret identity back, but it tells you what he decided to do with it. From Murdock’s perspective, a secret identity is a tool: it’s the first time he’s been able to work full on as an attorney in a while without people knowing that he’s also Daredevil—years, really—and he’s going to use that to its fullest extent. Unfortunately, Matt’s choices also caused him and Foggy Nelson to go “on a break”—they’ve interacted a bit in the 20 or so issues of my run so far, but it hasn’t been the full-on friendship they’re known for. Things seem very strained, very tense. It’s a shame!

Marvel.com: In anticipation of issue #19 coming April 19, can you give any hints as to what caused a rift between Matt and his best friend?

Charles Soule: Well, the real explanation comes in issue #20, but honestly, the pieces have been there since issue #1. Matt has his secret ID back and Foggy doesn’t like something about the way it happened, or what Matt’s decided to do since he got it back. Foggy’s the only person in the world who knows the truth, and he doesn’t know that he’s too excited about carrying that burden. But more to come on that…

Marvel.com: Are they coming at it from a lawyerly perspective or is emotion clouding their otherwise rational minds?

Charles Soule: This one’s 100% emotion, despite what they tell themselves. Matt Murdock is a big rationalizer; after all, the fact that he’s Daredevil at all requires being able to jump through some pretty big moral hoops, especially while being a lawyer at the same time. As an attorney myself, that was always one of the things I found most interesting about Daredevil as a character. A lawyer really can’t do what Daredevil does, not ethically—and Matt certainly knows that—but he does it anyway, because he’s compelled to. That’s great stuff.

Marvel.com: There’s no doubt that these are trying times for both Matt Murdock and his vigilante persona. It sure would help to have a friend around, but he’s out of luck. How is Matt handling things without this extra support and comfort from Foggy? In other words, what does it mean to be strained?

Charles Soule: I think we’ve seen it all through the run so far. On the surface, everything seems “fine”—Matt’s being heroic, stopping bad guys, all of that. But if you look a little deeper, the man’s barely holding it together. He can’t do it alone, but he thinks he can—also great for drama. This tension has brought him back to the Catholic Church, though, which was a nice thing to be able to return to the Daredevil mix. I always thought it was interesting that Murdock had a strong religious faith as part of his character, and it’s been a little missing from his portrayals recently. The church isn’t a substitute for a best friend, though.

Marvel.com: What is more important to Matt, saving his secret identity or his friendship?

Charles Soule: I think we’re about to find out…

Get the next hints on Matt’s secret identity and friendship woes when DAREDEVIL #19 by Charles Soule and Ron Garney hits on April 19!

Amazing Spider-Man: Arachnid Analysis

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Dan Slott provides a post-game of reveals and revelations for Peter Parker!

At over 90 pages, AMAZING SPIDER-MAN #25 packs quite a wallop, launching a brand new storyline—“The Osborn Identity”—showcasing some new talents in two delightful backup stories, and teasing the return of a certain multi-armed superior foe.

It proved such a wallop, in fact, that we could not just talk to ourselves about it. Thankfully, AMAZING writer Dan Slott answered the phone when we gave him a call.

Marvel.com: AMAZING SPIDER-MAN #25 is a massive issue.

Dan Slott: You could kill a man with this! If you rolled it up—it is kill-a-man-able size!

Marvel.com: Did it feel like a really big burden coming right after Clone Conspiracy or did you feel like you needed an issue that size, with the number of stories in it, as a kind of palate cleanser or system reboot after that last storyline?

Dan Slott: Every time I do a [Spider-Man event], by the time it’s done, I’m screaming to the heavens, “I am never doing this again. Never!”

They are huge undertakings to make sure everything works out on time, to fit everyone’s schedules, and how it ties into others books. You are laying tracks for it months in advance and it all has to come together. Oh boy…I just…oh God.

For me, the fun of this was we knew were going to come out of [Clone Conspiracy] with momentum. I mean how could we not with gorgeous Jim Cheung art.

But there’s a flip side to that, which is you always get excited about the next thing. While we are talking right now, issue #26 is leaving house, issue #27 is all drawn, issue #28 is being drawn as we speak, and issue #29 is due for plot.

Marvel.com: So you’re really in the thick of it all.

Dan Slott: Yeah. And you always get excited by the shiny piece that’s coming. So it is weird to be promoting Clone Conspiracy while I’m like, “I’m off here in ‘Osborn Identity’ and it’s great! Let’s talk about that.” That’s always the danger of this.

Marvel.com: Actually that makes for a great transition. This is the start of “Osborn Identity.” Coming off something as big in scale as Clone Conspiracy, it can be hard to decide how to maintain the momentum. Given that when people think of Spider-Man, Green Goblin is one of the first villains that come to mind, was this something of a solution. Not necessarily bigger in scale, but, deeper perhaps?

Dan Slott: Oh it’s huge! We haven’t had Norman, really, in this book. He hasn’t been around since the end, basically, of SUPERIOR SPIDER-MAN and even then Peter only got to face him for an issue. Even when Peter had to deal with problems with the Goblin Army in [AMAZING SPIDER-MAN #4] Norman was far off the canvas.

It’s exciting. As a writer, the only times I’ve really had a big mano-to-mano showdown with Norman was in “New Ways to Die” and that was…Dear God…when was that?

Marvel.com: It’s longer than you think, right?

Dan Slott: That was 2008….2009?

Marvel.com: Oh God.

Dan Slott: I know.

Marvel.com: The grave draws ever closer.

Dan Slott: [Laughs] For most of the time I was coming up through “Brand New Day” we couldn’t touch Norman Osborn. He was off in THUNDERBOLTS; he was off in DARK AVENGERS. And then [writer] Brian [Michael Bendis] had stories he still wanted to tell about him in AVENGERS. We got him on loan for “New Ways to Die” and a few other stories. As a Spidey writer, I didn’t really have ownership of [Osborn] until the arc in SUPERIOR SPIDER-MAN and even then I was having him go up against Otto Octavius. So this has been a long time brewing for me.

As a kid who grew up—you know, little eight-year-old me, the two Megos I had were Spider-Man and Green Goblin. So this is like, “Finally, the toy is in the toy box. I get to play with him.”

Marvel.com: Everyone, when they handle a character, makes their own unique impression on them because they all have elements they think are essential to the character. For Norman Osborn, what are your essentials?

Dan Slott: Well, this is a version of Norman we have never seen in the history of Spider-Man. At the end of “Goblin Nation,” using nanite technology developed by Doc Ock and implemented by Spidey, there’s something in Norman’s system that won’t let the Goblin formula work. He’s cured.

Even back in the day when you met him as Harry’s father in the book, he was always a little—he had Goblin serum already in him, we just didn’t know it.

This is the first time Spider-Man is going up against a cold and calculating Norman Osborn without even a hint of the madness. This is a different kind of enemy. Spider-Man may have given himself his greatest threat of all. Be careful what you wish for—you thought “The Goblin serum can never work on Osborn again, yes!” But it turns out that might have been holding him back. Now this is a Norman of undivided focus. That’s not good.

Marvel.com: Being careful what you wish for seems to be increasingly a theme of AMAZING SPIDER-MAN. For a while, he was very successful. He was building up his company. Now we are starting to see the return of Ben Reilly as a villain, having to reject Uncle Ben being brought back to life, having to tank his company’s reputation to stop the possibility of the degenerative virus spreading, and now a Norman Osborn free of the Green Goblin and more dangerous than ever. So one might get the feeling that your long-term plan might be to have built him up just to take it all from him.

Dan Slott: What kind of evil, evil person would do that?! Who would do that to poor Peter Parker?

Marvel.com: Without getting that far ahead of ourselves, is that an essential feature of how you view Peter? That so-called “Parker Luck” blown up to bigger proportions because he’s been playing on a bigger scale lately? This idea that, no matter what, Parker cannot win in all aspects of his life, that he has to have a tradeoff?

Dan Slott: It’s more the tradeoff. There’s so many things you could do if you had these powers, if you had these opportunities. But then, you wouldn’t be Spider-Man.

You’re Peter Parker and you kind of wake up to find Doc Ock has rearranged your life and given you this company. And then the company becomes a worldwide hit. It’s almost as instantaneous as being bitten by that spider, like a different kind of power.

And as Peter, he still buys suits off the rack, he takes a massive paycut so he’s not making much more than his middle execs, he spends so much of the resources either helping him build tools to fight crime as Spider-Man or to ensure the Uncle Ben Foundation helps people around the world. It’s like he’s going to try and use this stuff responsibly.

But it is his own special kind of goof. He’s running this company and probably not running it the best way because he’s Peter. If he has to go to a meeting and he’s swinging his way there and he sees a woman getting her purse snatched, he’s going to stop and do that.  Because he’s Peter.

Marvel.com: We see some of that this issue with him trying to balance company business with his search for Norman. It is clear that Norman gets under his skin like no other and it gives us, in the issue, a balance of the silent, meaner, darker Spider-Man and the more jokey, typical presentation. How do you find and keep the balance without the book getting too dark or undercutting the seriousness of the Osborn threat?

Dan Slott: I’ve read comics where he and Norman, like, sit down and have a laugh. To me, that personally doesn’t work for their relationship. From the moment he kills Gwen, there’s no laugh and this is a Spider-Man who just saw Gwen again and is hurting. Then Kingpin has stepped in to offer Norman on a platter. And Spider-Man is willing to chuck it all to take that opportunity.

You can’t…you can’t just stick Spidey in a box and say he is a dark urban vigilante who swings through the night to fight crime. Or he’s a jokey super hero. There’s all these different things that make up Spider-Man and all these different ways you can tell a Spider-Man story. You see Mike Deodato draw Spider-Man and that’s a specific kind of Spider-Man and [then] Humberto Ramos draws him and that’s a different kind of Spider-Man. There’s something fun about that.

It’s the same way when someone talks about you Tim or me Dan, the different people that know us might describe us completely differently. Your mom is going to give a completely different description of you than your wife than your girlfriend than your English teacher than your music teacher that thought you didn’t apply yourself.

Marvel.com: That’s a little too insightful about me there Dan.

Dan Slott: Yeah [Laughs] and Spider-Man is just the same way. You have me chasing down White Rabbit with Frog-Man and him crawling out of the grave in “Kraven’s Last Hunt.” There is a wide spectrum of Spider-Man stories you can tell. I put him in outer space. [Laughs]

For me, having been on this character for this long part of the fun of it is taking a look at those different aspects for a while and seeing where that takes me.

Marvel.com: A lot of the lighter aspects of Spidey in this issue comes from his interactions with Mockingbird. As a writer, what made her a good fit for that role?

Dan Slott: I had kind of different plans for Mockingbird long-term and then seeing Stuart Immonen’s art and the light and spark he was giving her and the way [she and Spider-Man] had chemistry on the page together made me go “I’m rethinking this.” And that’s the beauty of comics.

It’s not golf. It’s not you alone. It’s a team sport and you are going to get energy from each other. You are going to bounce ideas off each other. The way I write a script and the way Stuart draws it makes it a completely different animal then it would be with another artist.

Seeing all the gifts that Stuart gave me with them in those scenes I was like, “Oh my God, I love these guys together.” I really love the Stuart Immonen Spider-Man and the Stuart Immonen Mockingbird together. They’re fantastic. I’m shipping them.

Marvel.com: One of the things you referenced earlier was how long ago it had been since we’ve seen Norman Osborn in the book and the last time we saw another character here was very long ago and that was Silver Sable in the “Ends of the Earth” storyline which, at the time, seemed to end with her dying. As we know in #25, she is back. How long did you know you were planning to bring her back and why was the time now?

Dan Slott: From the moment we killed her—with irony quotes around the “killed”—I knew how she got out. I knew what her escape was. The hardest part was keeping Rhino also off the table that long because the moment you show Rhino, you know, “Hey if Rhino’s alive, wait a second…”

I knew we were bringing the Rhino back for Clone Conspiracy. The moment he was back it was just a ticking clock. I couldn’t wait to bring back Silver Sable.

Marvel.com: Beyond the ticking clock aspect, what made this a good time to bring her back? How is a she a puzzle piece that fits well into the larger story of the “Osborn Identity?”

Dan Slott: Umm, I don’t want to answer that question.

Marvel.com: Fair enough.

Dan Slott: [Laughs] Yes, that is a question I’d like to avoid until people read #26.

Marvel.com: So, for those interested, #26 is the issue to look for?

Dan Slott: Yes. I think we are putting off telling you how she lived until #27, but you’ll find out [how she fits] in #26.

Marvel.com: After the main story, there are some shorter stories including one that runs at the end of the book like a post-credits teaser. In that one we meet the reborn and revamped Doctor Octopus.

Dan Slott: Yes!

Marvel.com: Obviously, you’ve written him a bunch. You’re written him as Otto Octavius, as Peter Parker, and now a very different Otto, physically—

Dan Slott: I’ve written him inside a very clunky robot!

Marvel.com: Yes, that’s true too. So you clearly have some affection for him. What persuades you to return to writing him time and again?

Dan Slott: Honestly—I’m sure people who write who are reading this know that sometimes the story just starts happening and you’re along for the ride and that’s when writing is the most fun. There’s that kind of fun with Doc Ock. I just don’t know what he’s going to do sometimes. Or how he’s going to react.

The amount of time I spent in Doc Ock’s head while doing SUPERIOR—it was fun! It was just fun. Part of you goes, “I don’t want the ride to end. How am I going to save him? How am I going to bring him back?”

But this is what we’ve been building to. This is how you get a Superior Spider-Man-like character for him.

Marvel.com: One thing I noticed is that he clearly is a villain for Spider-Man and knowing who Parker is has certainly made him develop a grudge. Beyond that though, I like that we are not sure how this Otto is going to break. Is he going to be a pure villain or will he be more like his Superior Spider-Man incarnation that was arrogant and mean but still looking to do good.

Dan Slott: So when this new character Tomas picks [Otto] up and drops him off at the Auto Empire…

Marvel.com: That’s a nice touch.

Dan Slott: Thanks. Yeah, it’s where old “auto bodies” are… [Laughs] I just love that. It’s so stupid, so wonderfully comic book-y stupid. That’s just bliss.

Anyway, [editor] Nick [Lowe] was like, “Are we going to see Tomas again?”

Because when Tomas drives him Otto is like, “On the day when my plans come to fruition, you will be one of the saved, Tomas!” There’s a weird kind of honor to Otto.

But now it’s got me thinking we might see Tomas again. [Otto saying], “I have converted your pickup truck to…hover mode! You’re welcome.”

Marvel.com: That would be a nice thing to do.

Dan Slott: Oh now watch me do that.

Marvel.com: I’ll look for it.

Dan Slott: [Otto’s] fun! We’re spit balling here and he’s already going to these fun places.

Marvel.com: His new look, both in and out of costume, who created that look, that appearance?

Dan Slott: That was a team effort. There was a moment in putting together Clone Conspiracy where we thought we might have put this and because of that there was a good chance that Jim Cheung was going to be drawing it and so Cheung took stabs at the designs. So the current design is mostly Jim Cheung.

There were certain things that I wanted in, like the lenses to be Doc Ock goggle shaped and for the arms not to be like spider arms but like Doc Ock arms. It is very much a suit that is a hybrid of Doc Ock suits and Superior Spider-Man suits.

Marvel.com: With the coloring, it’s a much darker green then we are used to seeing Doctor Octopus in which I mention because when he takes back his base, HYDRA is occupying it.

Dan Slott: Huh.

Marvel.com: So was that because of what was around making that shade of green available to him or are there other reasons.

Dan Slott: Huh, it is very HYDRA-ish, isn’t it?

Marvel.com: Indeed.

Dan Slott: And it is almost like HYDRA’s logo is like an octopus.

Marvel.com: That is true. It is almost like that.

Dan Slott: How odd.

Marvel.com: I feel like this is another thing we’re going to have wait on for an answer…

Dan Slott: Sorry. I will say one of the things I really liked about that 10-pager is we just came off of evil Ben Reilly and the return of Gwen Stacey to straight on into going after Norman Osborn and next up is—bam—Doc Ock. The hits keep coming. And [there will] be something coming after that! We are not going to take our foot after the accelerator in AMAZING.

If you haven’t read AMAZING SPIDER-MAN #25 yet…what are you waiting for?! It’s available now!

Todd McFarlane Calls Spawn Reboot ‘Dark’ and ‘Nasty’

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Spawn's Todd McFarlane says the remake will be 'dark' and 'nasty'

Though we have no filming or release date for the long-promised Spawn reboot, writer/director Todd McFarlane has an update for everyone. McFarlane appeared in a Twitch video (via MovieWeb) from Emerald City Comic-Con in Seattle, Washington this weekend and spoke about the film. The video comes from a panel he did at the convention with Stan Lee, moderated by Clare Kramer (Buffy the Vampire Slayer). The film has been in development since 2009, and in 2013, McFarlane had said it might be a year out from filming. At the time he said, “It?’s not going to be a giant budget [film] with a lot of special effects. It?s going to be more of a horror movie and a thriller movie, not a superhero one.” Continue reading →

Ben Affleck Reportedly Doesn’t Want to Play Batman Anymore

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Image result for ben affleck batmanA month ago, while promoting his passion project Live by Night — which he directed, wrote, produced, and starred in — on Jimmy Kimmel Live, Ben Affleck confirmed that he would be directing The Batman, his first standalone film as the Caped Crusader.

However, after Live by Night bombed at the box office — causing a $75 million loss for Warner Bros. — Affleck reportedly experienced a crisis of confidence, questioning whether or not he could simultaneously direct and star in a big-budget superhero movie. In the end, he chose to step down as director of The Batman, citing his desire to focus on the acting side of the role. And according to recent reports, Matt Reeves, the director behind Cloverfield (2008) and Dawn Of The Planet Of The Apes (2014), will take the helm.

While many of us had hoped that would put an end to all the drama surrounding The Batman, John Campea is now claiming that three separate sources have told him over the past four days that Affleck no longer wants to be The Dark Knight in the DCEU. Continue reading →

Some Fans Want Kevin Smith to Direct THE BATMAN and the Filmmaker Responds

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Last night news broke that Ben Affleck stepped down as the director of The Batman for the good of the film. The director’s chair is now wide open for someone to come in and lead the film into glory or failure. After Affleck dropped out, some fans immediately started to rally behind Kevin Smith for the job. The guy has a long history with comic books and even wrote the limited series “Batman: The Widening Gyre”. He has also recently been directing episodes of “Supergirl” and “The Flash” for The CW. Continue reading →