DARK KNIGHT RISES Screen Tests for Tom Hardy and Anne Hathaway

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Here is a video featuring the screen tests of Tom Hardy as Bane and Anne Hathaway as Catwoman for Christopher Nolan’s The Dark Knight Rises. The screen tests, which come from the “The Dark Knight Trilogy: Ultimate Collector’s Edition,” also include commentary from Nolan. Both Hardy and Hathaway were awesome in their roles.

Exclusive: James Mangold Talks The Wolverine Inspirations and Alternate Ending

Originally intended to be directed by Darren Arronofsky (Black Swan, The Wrestler, Requiem for a Dream), The Wolverine remained in development for a long time at Fox before director James Mangold stepped in and helped shepherd the project to fruition. Good thing he did too, because the film is now the second-highest grossing in the “X-Men” franchise with over $414 million at the worldwide box office. We spoke with Mangold this afternoon about the Blu-ray release of the film, which features an extended cut that should delight hardcore Wolverine fans the world over, and an alternate ending that features something fans have been waiting years to see.

SuperHeroHype: With the Blu-ray you’ve got a theatrical and unrated cut, when you’re in production were you planning on doing these separate cuts of the film or were you aiming for one and then decided on the other one?

James Mangold: No, but I think you’re on the right track. I think what I was trying to do was make the most intense film I could, and I knew with some things I was on the very edge of what would be rated R. But I wanted to play on the edge because I knew fans and I knew myself were interested in the most intense Wolverine film we could possibly make. So in a way the sandbox I was playing in was at the very edge of what I knew I could get away. So the extended cut is in some ways just the stuff that was trimmed and scenes that fell by the wayside as we were trying to get under the “limbo bar” of the MPAA.

SHH: You also spoke on the Blu-ray about different sources that you used as guiding points for when you’re developing a project. You mention both The Bicentennial Man and The Outlaw Josey Wales as things that helped you forming this story. How important is it to you to look at other things you enjoy to guide you along your path?
JM: Very important, I mean less so looking at the movies and more so thinking about the stories and their architecture. It very much located me on the idea of… Josey Wales is the perfect archetype of the kind of tone that I wanted The Wolverine to have so that meant a little less of the cigar chomping and the kind of cute quip every three seconds and a little more of the intensity and the darkness. Of course “Josey Wales” opens with the death of his family, which spoke to me when I was trying to figure out where we place this film in the timeline of all the other stories that we know exist, in movies particularly, for Wolverine and the X-Men, and it occurred to me what a powerful place to begin would be after the third “X-Men” ends when Professor X is gone, Jean Grey is gone, the other X-Men are gone, his life is gone. There’s nothing left for Logan, and it would almost feel to him that anyone he connects with, anyone he touches, anyone he becomes intimate with, almost as though he were cursed, would die as from a result that contact. To me that was a great place, a departure point and dark place, to begin with Logan.
SHH: Was that difficult due to you being brought on so much later in the development? Is what we have no much more different from what we have now than what was there when you were brought on?
JM:Yes, it is. We made a lot of changes. I don’t make them just to make them. If something is great and I get it and it speaks to me then I have no issue with it, but this theme and idea of loss and how Logan has kind of withdrawn from the world was something I brought to the film. Locating it in this place in the time line it then spoke to a lot of story threads that came about from it. Certainly Jean Grey being there, speaking to him from beyond the grave, was one of them. The other was that I wrote on the original material when I first came on, “Anyone I love will die,” and I wanted to make a film about, as you mentioned, “The Bicentennial Man,” about this unusual relationship that an immortal being has to mortals, and how death plays such a significant role in separating them, or the absence of death in their own lives separates them from everyone else. I think it’s been brilliantly divided in movies as diverse as, well with “Bicentennial Man.” I’m not talking about a movie, but Asimov’s story, but also movies like Wings of Desire comes to mind immediately, with what it’s like to be a person who exists forever.

So when I structured the movie, one of the things I did was I went through the universe in the Claremont/Miller comic and I tried to, without radically changing the characters, make everyone of them have something to say and to offer the audience in the position toward death. So to give you an example you have Logan, who is a character that is immortal and wants to die. Then you have a character like Mariko, who is mortal and wants to die. So he wants out and he can’t get out, she wants out and can. Then you have a man like Mariko’s grandfather, Old Man Yashida, who is at death’s door and wants to be saved, he wants to live forever. Then you have a character like Yukio, played wonderfully by Rila Fukushima in the film, who is a mutant who actually sees death before it happens. Then you have Jean Grey who IS dead, a dead character speaking to him from the other side. So in a way one of the things I was implanting in the storyline was this giant contemplation on immortality, death and the role it plays in our lives. Ambitious, but also I feel like most comic books are ambitious in that way.
SHH: Oh definitely. Now before I let you go, I have to ask about that alternate ending where we see Wolverine’s classic costume (pictured below), was that your idea and why didn’t it make the final cut?
JM: It was my idea and it was something I tried, I improvised on the set. The box was actually empty on the set when shot the material with Hugh and Rila, but I tried it out because I was just curious. I had also felt the fans’ desire to see something like that, obviously the fans’ desire to see something more than that. The trick was that I felt like, and I think the studio felt strongly that I was kind of handing a hot potato to whatever films followed in the sense that it’s one they couldn’t fulfill or one that we didn’t know if they could fulfill since we hadn’t even scripted them yet. So this implication that he would be wearing them in the next film which I couldn’t guarantee since I didn’t even know where I or who or what would be making one, and I certainly didn’t want to burden Bryan (Singer, director of X-Men: Days of Future Past) with suddenly based upon the last six seconds of the film throwing a wrench in the works of what he was up to. But I also have to say, for Wolverine fans I felt it would be hugely rewarding, but when we screened it, and we did with that ending on, it was very interesting that 60% of the audience didn’t understand what was in the box. So you also have the fact that you’re going to be ending a movie with a moment where a huge majority of the audience was going to be going “Huh?” So that definitely wasn’t a feeling I wanted, but I was very torn about it and thought it worked. It also bumped a little when I went to Montreal and shot the credit scene that kicks you toward “Future Past,” it seemed to bump against that. You’re showing him open the box and have a costume in the end and then you’re coming from black and having him wearing street clothes. It just seemed like we were creating more questions than we were answering and maybe it wasn’t the most responsible thing to do.

Professor X Fires Jubilee from the X-Men

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Pete Holmes has made another hilarious X-Men comedy sketch that features Professor X firing Jubilee from the popular mutant team. Out of all of the X-Men that have been fired so far, her powers are the most useless. She makes fireworks! What kind of power is that? I can’t wait to see who Xavier fires next!

Zoe Saldana and Michael Rooker on GUARDIANS OF THE GALAXY

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Next year Marvel Studios is going to release Guardians of the Galaxy. It’s a property not many people are familiar with, but I have a feeling it’s going to blow audiences away. It’s going to be the most different film that Marvel has done, but the characters and setting are awesome. We all kind of got our first look at the film at the end of Thor: The Dark World.

In a recent interview with MTV, Zoe Saldana, who plays Gamora in the film, says the movie will be a different experience. She also talks about the innovation of superheroes and how amazing it will be.

“A new way to view superheroes. I mean I love sometimes the consistency of what the classics have left behind, but I need innovation, and you can only have so much of ‘I’ll save you!’ after a while it’s like ‘Oh god, does he go to the bathroom? Is he hungry? Does he cry? Does he feel?’ Not only do we cover that, we’re making heroes after thieves and they’re Robin Hoods and I love that because I’m an underdog. I always like the longer route, the hardest route, because that’s the only one that’s going to teach you great lessons in life and these characters are absolutely amazing and they have a full blown redemption. So to be able to sink your teeth into such meaty characters and to be a part of such a story that is very unique and obviously has everything that I love: it has space, it has a cooky director, it literally has just cojones. It has amazing actors that you would have never thought to put them all together and somehow we’re all here, giving 150% and loving the story that we’re doing.

“It’s gonna be very (good) – I hope, I never like to shoot myself in the foot to seem that confident that I may come across as arrogant, but I’m rooting for it, a great deal because it was amazing. What we shot and we left on the screen there were pretty amazing things and I have a feeling that James is going to capture them very beautifully. I’m happy to have worked with someone like James, because not everyday do you meet somebody that is absolutely who they are and you cannot compare them to anybody else. There’s only going to be one James Gunn and I like that.”

In a separate interview with Total Film, Michael Rooker, who plays Yondu in the film, talks about his character, saying,

“There’s hope in this character, but the stuff going on… I can’t talk about it but… it’s challenging.  You have to forget that you have all these issues like three hour make-up and stuff… once you get that stuff on you have your own down time. You forget you have it on. You just play the role and you have great time doing it.”

When asked if his character had any special powers or abilities in the film, Rooker replied,

“I don’t think I’m at liberty to discuss any powers of any sort… Y’know, most of the roles I play, just by it being who I am – normally they’re somewhat formidable individuals. That’s just sort of my look and my build. So we utilize that in almost everything I’ve done, and it’s the same in Guardians.”

The movie is being directed by James Gunn and also stars Chris Pratt, Dave Bautista, Bradley Cooper, Ophelia Lovibond, Benicio Del Toro, Karen Gillan, Djimon Honsou, Gregg Henry, Glenn Close, and John C. Reilly. The characters team up to defeat a cosmic force of epic proportions. It comes out on August 1st, 2014!

New Video From the Set of Transformers: Age of Extinction

Entertainment Tonight visited the Detroit set of Michael Bay’s Transformers: Age of Extinction and has brought online a video that you can watch below!

Coming to theaters on June 27, 2014, the film stars Mark Wahlberg, Nicola Peltz, Jack Reynor, Stanley Tucci, Kelsey Grammer, Sophia Myles, Li Bingbing, T.J. Miller, Han Geng and Titus Welliver.

Although the plot of the sequel is still top secret, Dinobots are said to be heavily involved and Bay himself teased to ComingSoon.net that it will involve a “Chase from Hell.”

DUMB AND DUMBER TO will be Released November 2014

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Universal Pictures has announced that Jim Carrey and Jeff Daniels‘ Dumb and Dumber To will be released in theaters on November 14th, 2014. That’s three weeks shy of the actual 20th anniversary of the original movie.

The movie takes place 20 years after the events of the first film, and here’s a previously reported description of the story from director Bobby Farrelly:

“I can tell you that there is no growth out of either one of them and it’s 20 years later… these guys are in regular life and they’re still basically children at heart. The story revolves around the fact that one of them may have sired a child. They want to go and find the child because he’s having a kidney problem and he wants to ask him for one of his kidneys.”

The Farrelly brothers are directing the sequel, which also stars Kathleen Turner, Brady Bluhm, Laurie Holden, Steve Tom, and Rob Riggle. I’m excited to see how this turns out!

RAIDERS OF THE LOST ARK Trivia – Why Spielberg Added More Flames


Here’s a little bit of Raiders of the Lost Ark trivia for you! In order to get a PG rating for the film, the MPAA asked Steven Spielberg to add more flames to hide the exploding head of the Nazi character Belloq at the end of the movie after he opens the ark. The photo above gives us a little glimpse of what the exploding head looked like before the flames were added.   Originally, Spielberg wanted Belloq’s head to explode on its own, but that was just too graphic for the MPAA. You have to remember this was before there was a PG-13 rating. The PG-13 rating wasn’t created until Indiana Jones and the Temple of Doom.  I’m not sure what makes a fiery exploding head more tame than just a regular exploding head, especially when there are already disturbing melting faces, but that’s the MPAA for you! I’ve also included a fun video from Slate that explains the fiery censorship.

 

PS4 vs. Xbox One: the Console War

Check out this awesome CG animated short from Machinima that pits PS4 against the XBOX One. The short is called “The Console War.” Each console is represented by giant mech robots. Viewers get to choose the outcome.

In a distant empire ruled by consoles, an apocalyptic war unfolds. The fate of the world lies in a single battle between the XB-01 and the PX-04: the ultimate technological monstrosities of the console era…. or are they?

Winona Ryder Talks About BEETLEJUICE 2

winona-ryder-talks-about-beetlejuice-2.jpgIn a recent interview with The Daily Beast, actress Winona Ryder spoke a little bit about the upcoming sequel to the 1988 hit Beetlejuice.  She said,

“I’m kind of sworn to secrecy… But it sounds like it might be happening.”

I know that doesn’t say a lot, however, you can glean at least one thing from it. If she wasn’t involved, why would she be sworn to secrecy? Of course, that could just be me wanting to read into things.

She was asked what the reaction from fans was in regards to a sequel being made:

“It’s a very precious movie to people. So there are a lot people like, ‘DON’T”

She does go on to clear up a little confusion that is surrounding the movie:

“It’s not a remake. It’s 27 years later. And I have to say, I love Lydia [Deetz, Ryder’s teenage goth character] so much. She was such a huge part of me. I would be really interested in what she is doing 27 years later.”

Ryder also goes on to say that she wouldn’t go near the project if Tim Burton and Michael Keaton weren’t involved. Fortunately for us, it looks as if they are going to be in the movie.

I know there are many of you out there that are not very excited for this to happen, and usually I would not only be on that bandwagon, I would be driving it. However, Beetlejuice is one of my all-time favorite movies, and I have always felt that it needed a sequel.  If it does actually happen, I will be first in line to see it.